The Greenhouse is a magic-realist drama that centres on the eldest child of two women, Beth, who discovers a portal into the past on their family property. On the cusp of her widowed mother Ruth’s sixtieth birthday and the return of her dysfunctional siblings Drew, Doonie and Raf, Beth is swept away by visions of their idyllic childhood and re-lives the moments that defined her adolescence. Despite Ruth’s warnings, and as real-world tensions grow between the siblings, Beth becomes dependant on the greenhouse, soon realising it isn’t the paradise she believed it to be.

After years of increases in the greenhouse effect, havoc is wreaked globally in the form of catastrophic hurricanes, tornadoes, tidal waves, floods and the beginning of a new Ice Age. Paleoclimatologist, Jack Hall tries to warn the world while also shepherding to safety his son, trapped in New York after the city is overwhelmed by the start of the new big freeze.

BRIGHT GREEN LIES dismantles the illusion of green technology in a bold and shocking exposé, revealing the lies and fantastical thinking behind the notion that solar, wind, electric cars, or green consumerism will save the planet. Almost every major environmental organization is pushing for so-called renewable energy. Claims are being made about “green” technologies that are frankly untrue. Words like “clean”, “free”, “safe”, and “sustainable” are often thrown around. But solar panels and wind turbines don’t grow on trees. The mass production of these technologies requires increased mining, industrial manufacturing, habitat destruction, massive greenhouse gas emissions, and the creation of toxic waste. So-called renewable energy does not even deliver on its most basic promise of reducing fossil fuel consumption. On a global scale, the energy is stacked on top of what is already being used.

A young man visits his fiancé’s estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.

Meat the Truth is a high-profile documentary which forms an addendum to earlier films on climate change. Although such films have succeeded in drawing public attention to the issue of global warming, they have repeatedly ignored one of the most important causes of climate change: the intensive livestock production. Meat the Truth draws attention to this by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together.

Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he’s in a war zone, and he wants to change jobs to something less stressful. But he’s got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he’s dead and goes looking for him. She’s helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they’re determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison’s son Cesar is looking after his father’s prized greenhouse, keeping hope, and flowers, alive.